Windows
![Virtual Buss Compressors is a suite of three unique-sounding dynamic processors, all 100% modeled after top analog mastering gear and thus ideal for program material. Every nuance of real analog compressors has been modeled, including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.
FG-RED
This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago. I thought it was odd actually: here was this compressor that nobody else seemed to really use, and it was on a setting at 1.5:1 and the attack looked very fast for a Mix-Buss compressor. This was puzzling because I usually associated a faster attack with a loss of transient punch, but if youve heard Chriss mixes you know that they are the exact opposite of that! So being the classic gearslut, I bought one, (I got the unit with both input and output transformers). The first thing I did was put it on my mix in the settings that Chris showed me? 1.5:1, attack around 10/11 oclock, auto release, compressing just 2-3db tops. And?. WOW! One of the clearest, punchiest sounding rock mixes Id ever heard come out of my own speakers. This unit was amazing!!!
When Fabrice and I analyzed the RED, we found out that it was indeed a very unique beast. The attack and auto-release work in an interesting way and are very musical, but the real magic we found was in the output section! We found that just pushing the makeup gain a few db did some insane things to the sound! A little push and things got a ton more punchy, fat, and aggressive. After more examination, we realized that this was due to a series of nonlinear reactions caused by the output transformer. Howie Weinberg, the famous mastering engineer who has a studio on our campus, let us in on a little secret: He uses his RED not for compression, but just to use the output gain to get that amazing effect! So I decided to do something that the original unit cannot?I put that output transformer effect on a knob called DRIVE. When you push the DRIVE knob, you get a beautiful punch and articulation of the transients, and you can control just how much you want, regardless of whether or not you use the makeup gain! Famous rock mixer Justin Netbank beta tested the FG-RED and loves the drive, suggesting ?6.6 as the magic number. But you can try cranking it all the way for an interesting effect!
FG-GREY
The FG-GREY starts off with a very precise model of the classic British ?4000 series console compressor?. Ive used the hardware model for many years but I never fully appreciated just how magnificent the piece is until studying it during the modeling process. It has a way of being able to tighten and ?gel the components of a mix in ways that can go from fairly transparent in auto-release mode, to very aggressive in manual mode.
We did a small mod to the circuit in our virtual model which I think youll really enjoy. We took the classic British discrete transformer and added some of its characteristics to the signal path. This does something amazing to the clarity of the midrange and bottom end, where the hardware unit tends to start sucking out too much bottom as you start to compress more. The hardware unit can also get slightly ?choked in the mids as well, but our virtual transformer stage keeps the bottom big and round and the midrange more open, while still retaining the classic sound of the original unit. Youll notice that there is a bit less of a drop in the bottom and the rich mids will still be nice and present when you heavily compress with the FG-GREY ? I love it in both manual and auto mode, and its amazing on drums and guitars too!
FG-MU
Ive been lucky enough to hear and use some of the most classic and hard-to-find tube buss compressors on the planet (like the Fairchild 670 and Manley Vari Mu), and let me tell you, there is some real magic that happens when your mix goes through a brilliantly-designed piece of tube gear. The midrange thickens, the lows get tighter and rounder, and the top end opens up with a beautiful sparkle? even better, those harsh upper mid overtones seems to get tamed too. For the FG-MU, we put all of these wonderful qualities into the algorithm. To experience FG-MU for the first time you dont even have to do any compression, as just going through the processor without any gain reduction will reveal a beautiful open sound due to the modeling of the tube circuit path. Even when Im using the FG-GREY or FG-RED, I love using the VBC Rack just so I can have the audio pass through the FG-MU!
But the FG-MU is an amazing-sounding compressor in its own right. If you scan through the presets, youll get a great idea of what its capable of. Smooth rich compression, fat warm compression, and even slightly aggressive compression. Overall, this is a processor that has tons of analog mojo and vibe for days. A sure hit on your ITB mixes!
#](https://audiolove.me/uploads/posts/2018-02/1519303614_vbc01-fd262gg9onvoquu6wqyfvmblrw2pjm0f-min.jpg)
Product Details
FULL INFO BELOW:
Virtual Buss Compressors is a suite of three unique-sounding dynamic processors, all 100% modeled after top analog mastering gear and thus ideal for program material. Every nuance of real analog compressors has been modeled, including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.
FG-RED
This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago. I thought it was odd actually: here was this compressor that nobody else seemed to really use, and it was on a setting at 1.5:1 and the attack looked very fast for a Mix-Buss compressor. This was puzzling because I usually associated a faster attack with a loss of transient punch, but if youve heard Chriss mixes you know that they are the exact opposite of that! So being the classic gearslut, I bought one, (I got the unit with both input and output transformers). The first thing I did was put it on my mix in the settings that Chris showed me? 1.5:1, attack around 10/11 oclock, auto release, compressing just 2-3db tops. And?. WOW! One of the clearest, punchiest sounding rock mixes Id ever heard come out of my own speakers. This unit was amazing!!!
When Fabrice and I analyzed the RED, we found out that it was indeed a very unique beast. The attack and auto-release work in an interesting way and are very musical, but the real magic we found was in the output section! We found that just pushing the makeup gain a few db did some insane things to the sound! A little push and things got a ton more punchy, fat, and aggressive. After more examination, we realized that this was due to a series of nonlinear reactions caused by the output transformer. Howie Weinberg, the famous mastering engineer who has a studio on our campus, let us in on a little secret: He uses his RED not for compression, but just to use the output gain to get that amazing effect! So I decided to do something that the original unit cannot?I put that output transformer effect on a knob called DRIVE. When you push the DRIVE knob, you get a beautiful punch and articulation of the transients, and you can control just how much you want, regardless of whether or not you use the makeup gain! Famous rock mixer Justin Netbank beta tested the FG-RED and loves the drive, suggesting ?6.6 as the magic number. But you can try cranking it all the way for an interesting effect!
FG-GREY
The FG-GREY starts off with a very precise model of the classic British ?4000 series console compressor?. Ive used the hardware model for many years but I never fully appreciated just how magnificent the piece is until studying it during the modeling process. It has a way of being able to tighten and ?gel the components of a mix in ways that can go from fairly transparent in auto-release mode, to very aggressive in manual mode.
We did a small mod to the circuit in our virtual model which I think youll really enjoy. We took the classic British discrete transformer and added some of its characteristics to the signal path. This does something amazing to the clarity of the midrange and bottom end, where the hardware unit tends to start sucking out too much bottom as you start to compress more. The hardware unit can also get slightly ?choked in the mids as well, but our virtual transformer stage keeps the bottom big and round and the midrange more open, while still retaining the classic sound of the original unit. Youll notice that there is a bit less of a drop in the bottom and the rich mids will still be nice and present when you heavily compress with the FG-GREY ? I love it in both manual and auto mode, and its amazing on drums and guitars too!
FG-MU
Ive been lucky enough to hear and use some of the most classic and hard-to-find tube buss compressors on the planet (like the Fairchild 670 and Manley Vari Mu), and let me tell you, there is some real magic that happens when your mix goes through a brilliantly-designed piece of tube gear. The midrange thickens, the lows get tighter and rounder, and the top end opens up with a beautiful sparkle? even better, those harsh upper mid overtones seems to get tamed too. For the FG-MU, we put all of these wonderful qualities into the algorithm. To experience FG-MU for the first time you dont even have to do any compression, as just going through the processor without any gain reduction will reveal a beautiful open sound due to the modeling of the tube circuit path. Even when Im using the FG-GREY or FG-RED, I love using the VBC Rack just so I can have the audio pass through the FG-MU!
But the FG-MU is an amazing-sounding compressor in its own right. If you scan through the presets, youll get a great idea of what its capable of. Smooth rich compression, fat warm compression, and even slightly aggressive compression. Overall, this is a processor that has tons of analog mojo and vibe for days. A sure hit on your ITB mixes!
Virtual Buss Compressors is a suite of three unique-sounding dynamic processors, all 100% modeled after top analog mastering gear and thus ideal for program material. Every nuance of real analog compressors has been modeled, including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.
FG-RED
This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago. I thought it was odd actually: here was this compressor that nobody else seemed to really use, and it was on a setting at 1.5:1 and the attack looked very fast for a Mix-Buss compressor. This was puzzling because I usually associated a faster attack with a loss of transient punch, but if youve heard Chriss mixes you know that they are the exact opposite of that! So being the classic gearslut, I bought one, (I got the unit with both input and output transformers). The first thing I did was put it on my mix in the settings that Chris showed me? 1.5:1, attack around 10/11 oclock, auto release, compressing just 2-3db tops. And?. WOW! One of the clearest, punchiest sounding rock mixes Id ever heard come out of my own speakers. This unit was amazing!!!
When Fabrice and I analyzed the RED, we found out that it was indeed a very unique beast. The attack and auto-release work in an interesting way and are very musical, but the real magic we found was in the output section! We found that just pushing the makeup gain a few db did some insane things to the sound! A little push and things got a ton more punchy, fat, and aggressive. After more examination, we realized that this was due to a series of nonlinear reactions caused by the output transformer. Howie Weinberg, the famous mastering engineer who has a studio on our campus, let us in on a little secret: He uses his RED not for compression, but just to use the output gain to get that amazing effect! So I decided to do something that the original unit cannot?I put that output transformer effect on a knob called DRIVE. When you push the DRIVE knob, you get a beautiful punch and articulation of the transients, and you can control just how much you want, regardless of whether or not you use the makeup gain! Famous rock mixer Justin Netbank beta tested the FG-RED and loves the drive, suggesting ?6.6 as the magic number. But you can try cranking it all the way for an interesting effect!
FG-GREY
The FG-GREY starts off with a very precise model of the classic British ?4000 series console compressor?. Ive used the hardware model for many years but I never fully appreciated just how magnificent the piece is until studying it during the modeling process. It has a way of being able to tighten and ?gel the components of a mix in ways that can go from fairly transparent in auto-release mode, to very aggressive in manual mode.
We did a small mod to the circuit in our virtual model which I think youll really enjoy. We took the classic British discrete transformer and added some of its characteristics to the signal path. This does something amazing to the clarity of the midrange and bottom end, where the hardware unit tends to start sucking out too much bottom as you start to compress more. The hardware unit can also get slightly ?choked in the mids as well, but our virtual transformer stage keeps the bottom big and round and the midrange more open, while still retaining the classic sound of the original unit. Youll notice that there is a bit less of a drop in the bottom and the rich mids will still be nice and present when you heavily compress with the FG-GREY ? I love it in both manual and auto mode, and its amazing on drums and guitars too!
FG-MU
Ive been lucky enough to hear and use some of the most classic and hard-to-find tube buss compressors on the planet (like the Fairchild 670 and Manley Vari Mu), and let me tell you, there is some real magic that happens when your mix goes through a brilliantly-designed piece of tube gear. The midrange thickens, the lows get tighter and rounder, and the top end opens up with a beautiful sparkle? even better, those harsh upper mid overtones seems to get tamed too. For the FG-MU, we put all of these wonderful qualities into the algorithm. To experience FG-MU for the first time you dont even have to do any compression, as just going through the processor without any gain reduction will reveal a beautiful open sound due to the modeling of the tube circuit path. Even when Im using the FG-GREY or FG-RED, I love using the VBC Rack just so I can have the audio pass through the FG-MU!
But the FG-MU is an amazing-sounding compressor in its own right. If you scan through the presets, youll get a great idea of what its capable of. Smooth rich compression, fat warm compression, and even slightly aggressive compression. Overall, this is a processor that has tons of analog mojo and vibe for days. A sure hit on your ITB mixes!
Video
Slate Digital Virtual Buss Compressors v1.2.14.5
Referal Link: https://goo.gl/1cCJlX
Added: 01.Jan.2021
Catagory: Windows
Product ID: 2117
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Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.8.8
5 sep 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.8.9
15 Sep 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.1
20 Sep 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.10
28 Oct 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.10
31 Oct 2023
Windows / Mac OSX
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.11
08 Nov 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.15
22 Nov 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.2
26 Sep 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.3
08 Oct 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.6
16 Oct 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v1.9.7
21 Oct 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.0.0
25 Dec 2023
Windows / Mac OSX
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.0.1
27 Dec 2023
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.0.2
02 Jan 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.0.3
09 Jan 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.1.1
29 Jan 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.1.3
03 Feb 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.1.4
17 Feb 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.1.5
20 Feb 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.2.2
14 Mar 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.3.2
20 Mar 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.3.2
20 Mar 2024
Windows / Mac OSX
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.3.6
26 Mar 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.3.9
5 Apr 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.4.3
11 Apr 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.4.4
15 Apr 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.5.3
06 May 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.5.7
12 May 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.6.3
19 May 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software APU Loudness Compressor v2.7.1
4 jun 2024
Windows / Mac OSX
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
APU Software Loudness Compressor v2.4.1
10 Apr 2024
Windows
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
The APU Loudness Compressor plug-in is a compressor/expander designed to support modern loudness types (LUFS, True Peak). Typical
iZotope RX Loudness Control v1.03a / v1.0
31 Oct 2018
MeterPlugs Loudness Penalty v1.7.0
16 Jun 2021
MeterPlugs Loudness Penalty v1.9.0
20 Mar 2023
Windows
Take Control of the Loudness Penalty Manage how much your music is turned down by online streaming services Online streaming serv
Take Control of the Loudness Penalty Manage how much your music is turned down by online streaming services Online streaming serv
Mixing With Mike Loudness Course [TUTORiAL]
25 Oct 2023
Learning / Video Tutorials
The LOUDNESS Course is a detailed study in the art of creating competitively loud masters while maintaining the perception of dyna
The LOUDNESS Course is a detailed study in the art of creating competitively loud masters while maintaining the perception of dyna
RTW Continuous Loudness Control v4.1.2
01 Jan 2021
Windows
Continuous Loudness Control (CLC) is a Masterclass PlugIn featuring a unique visualization and patented loudness processing algori
Continuous Loudness Control (CLC) is a Masterclass PlugIn featuring a unique visualization and patented loudness processing algori
RTW Mastering Tools v4.1.2
01 Jan 2021
Windows
The Mastering Tools are part of the RTW Masterclass PlugIns, a range of products that provides RTW meters as plug-in software and
The Mastering Tools are part of the RTW Masterclass PlugIns, a range of products that provides RTW meters as plug-in software and
Signum Audio Bute Loudness Analyzer 2 (Stereo/Surround) v2.0.1
30 May 2021
Windows
bute loudness analyser 2 is a smart, accurate and responsive loudness metering plugin designed as a helpful tool for mixing and ma
bute loudness analyser 2 is a smart, accurate and responsive loudness metering plugin designed as a helpful tool for mixing and ma
Signum Audio Bute Loudness Normaliser (Stereo / Surround) v1.0.5
26 May 2021
Windows
The BUTE Normaliser is a high-end, cross-platform, standalone application, assisting post-production engineers with the final chec
The BUTE Normaliser is a high-end, cross-platform, standalone application, assisting post-production engineers with the final chec
Signum Audio Bute Loudness Suite 2 v2.0.1
5 Nov 2022
Windows
Smart, pro-audio loudness toolkit. Ensure your audio is optimized for any broadcast or streaming platform. This toolkit includes a
Smart, pro-audio loudness toolkit. Ensure your audio is optimized for any broadcast or streaming platform. This toolkit includes a
Youlean Loudness Meter 2 PRO v2.4.3
13 Feb 2023
Windows
Youlean Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services relea
Youlean Loudness Meter helps you find the true perceived loudness of your audio and prepares it for TV or streaming services relea
Youlean Loudness Meter Pro v2.4.1 / v2.1.1
10 Oct 2020