Zero-G Luminoso [KONTAKT]

FULL INFO BELOW:

Zero-G and Xfonic present LUMINOSO Live Violin Phrases -Performed by Martin and Kate Richardson, two world-class violinists from the Liverpool Royal Philharmonic Orchestra and recorded in Liverpools famous Parr Street studios, Luminoso: Live Phrases is a 15GB collection of thousands of live recorded 6-bar looped phrases compressed down to 7GB using Kontakts lossless compression technology. Despite recording only two players, the instrument cleverly layers up to 6 different bars in real-time for the effective sound of a 12-piece string section, or if you wish, you can dial it down to the sound of a solo violin..

Luminoso bridges the gap between premium string libraries which have excellent control, but can sound artificial on certain passages (such as runs, arpeggios, fast rhythms), and pre-recorded melodic phrases libraries, which can sound dazzling on first listen but have little useful control and can grow tired quickly.

REVIEW: A wide variety of rhythms has been captured (everything syncs to host tempo) and the inclusion of fully keyboard-extended es sweetens the deal. Beautiful. Rated: 9/10 - Computer Music magazine

Despite being made from pre-recorded phrases, Luminoso remains highly controllable. This has been achieved by recording the same patterns across a wide pitch and dynamic range with many scale variations, by choosing patterns that blend in particularly well to a wide variety of musical styles, and then by allowing you to automatically sync to the tempo of your projects with a wide variety of chord, rhythm and scale types all controlled with key-switches. Dynamic levels pp to ff can be smoothly cross-faded by mod wheel, the ensemble size can be zoomed from solo to 12 players, and two mic positions (close and room) can be chosen or blended.

LIBRARY FEATURES

**Chords, Arpeggios and Runs (selectable from key switches): Major, melodic minor, harmonic minor, sus2, sus4, diminished, augmented, minor 6th, minor 7th, 7th, major 7th, fifths, eastern, chromatic, whole note and other scales.

**Rhythm Types (selectable from key switches): quarter notes, 8ths, 16ths, 8th triplets, 16th triplets, quarter note triplets.

**Ensemble Size: continuously selectable from solo to 12 players

**Mic Positions: Close and Room (with separate volume and pan controls).

**Effects suite: convolution and algorithmic reverbs, delay, modulation effects, distortion, compression.

** Types: Live (real), Mutated (processed, sound designed es), Mod Wheel Filter versions (versions of the Live es, but with the Mod Wheel controlling the filter for a gently synthesized effect)

**Additional Options: Load and unload scale types to save memory. Play at double or half project tempo. Spread the players from widely-panned to a close central group.

WHY IT WAS CREATED

Library producer and trailer music composer Dan Graham started out needing a tool that would add realism to his sampled scores on projects that didnt have a budget for live orchestra. In particular, fast runs, arpeggios and simple rhythms remain difficult to get totally convincing even with the best and most expensive collections, and so he set out to create something that could sit well in the mix, based on live phrases for realism, but flexible enough to blend in with any track.

2011s hit library Spiritoso: Live Cello Phrases was the first stage of this plan. Now after a year in development Luminoso extends the principle to violins.

BENEFITS OF LIVE PHRASES

Because the vioinists played the actual patterns you hear, they sound real. They are built from generous 6 bar loops so that no two notes or consecutive bars sound exactly the same - there is natural variation. When you hear slight legato connections between notes its because thats what he played, not a clever reconstruction of a legato interval using advanced scripting. And with fast rhythms, you are not hearing 5-way round robin performance repetition articulations; you are hearing 6 bars of completely different notes being hit in slightly different ways, flowing smoothly just as they were performed.

FLEXIBILITY

It may seem that triggering pre-recorded patterns may limit your control but there is in fact a surprising degree of flexibility. The tempo will fit your project. The same patterns were recorded at 3 dynamic levels, pp (soft) mf (medium loud) and ff (a bit hair raising), and by controlling this with your mod wheel (or by automating the mod wheel CC1 controller in your host sequencer) you can make the patterns constantly undulate, expressively following the crescendos and diminuendos of your compositions, and you can even use this mod wheel control to accent particular notes and therefore create syncopations and rhythmical emphasis tailored exactly to the needs of the music.

As a case in point, with the Rhythms you can automate the rhythm-type key switches (e.g. 8ths, 16ths, 8th triplets) in fine detail in your sequencer, and therefore build your own custom rhythm patterns, and finally add accents by automating the mod wheel dynamics.

THE HIDDEN POWE